Will Preston

Tag: Chris Cornell

Saul Hudson & Chums

by on Apr.27, 2010, under Albums, Music, Review


He sold his chair to buy more guitars...

He’s probably one of the only people I have ever seen who can display a lot of personality by just not talking (well, him and Clint Eastwood, but Clint still knocks you dead when he says what he needs to say). Probably more famous for his trademark (*cough* Mark Bolon *cough*) hat and hair, Slash is one of the icons of rock that pops up every time you raise a horned fist into the air. Although his new album is considered his debut solo album, I think people are forgetting about ‘Slash’s Snakepit’, his project after splitting up with ‘Guns N’ Roses’. Whilst this new affair and his snakepit was an all star project, We are now presented with a string of ‘guest’s’. Although They don’t feel like guests on Slash’s album; more the other way round. A collection of B sides and guest appearances on other peoples albums rather than a collection of Slash-heavy work.

My main issue with this album from the off is that it’s too bland. Slash has pretty much reached that ‘Eagles-esque’ level of playing dull music that isn’t bad, but isn’t great either. Technically, it’s a good effort, but then again technically ‘Nickelback’s’ back catalogue is as well. And the less said about them the better! This is the kind of album you’d play at a party with no personality; a gathering of unrelated friends – yet again, but like the album itself. What really surprises me is the cameos from people who can usually kick a bit of arse into a dull song. Ozzy Osbourne pops up and makes me want to cut my own head off rather than nod it. Talk about a ‘Suicide Solution’. eh, Ozzy? Even Iggy Pop abandons being vaguely crazy and lulls into the smooth twang that really lets the album down. Same goes for Lemmy’s appearance. But the human house plant, Andrew Stockdale of ‘Wolfmother’, gives the album some worth with his contribution (such a contribution that Slash is nowhere to be heard) with ‘By The Sword’. It deserves the radio play single treatment by far – a great song with power and melody. That , and it doesn’t drift me into an angered slumber.

There’s a cameo by, sur-ruddy-prise, Dave Grohl. I do like the man and he really has talent, but does he have to appear on every all star affair nowadays? Also, there’s Kid Rock abandoning his ‘Twat-Rap’ routine and sounding like every single contemporary rock singer for the last ten years. But he was never that good to begin with, so we’ll let him off with a caution and a £30 fine. If you’re looking to fill the space in your CD collection where a new Velvet Revolver album should be, give it a go. Just don’t expect the next ‘Guns N’ Roses’ album, expect a mayonnaise enema; bland on the whole.

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Chris Cornell – Scream

by on Apr.27, 2009, under Albums, Music, Review

Chris Cornell ScreamWith a music career spanning two big bands over two decades, Chris Cornell is well known around the music scene, fronting the rock giants “Soundgarden” and “Audioslave”. He furthered his exposure by providing the powerful theme for the recent Bond film “Casino Royal”. Things are going to keep getting bigger and better, it would seem.

Not only were my assumptions wrong, but my hopes had been deflated and defiled, and later slapped around my tearful face a number of times. The bullet that shot down what faith I had for Cornell’s future came in the form of “Scream”; a joint misadventure with R&B star “Timbaland”. By now, you should be familiar with the robotic ditty “Part of Me”, the monotonous single. The album opens with its most well known song and gets worse from there, sowing a trail of dreary electronic boredom along its way. As hard as it is for me to express this without convulsing violently, Cornell’s voice does suit the R&B genre uncomfortably well. His bluesy grind eases the pain slightly, but can’t distract you enough from the depths of hell the music is dragging him to. Despite a couple of tracks that are average at best, the only real redeeming feature about this album is hearing Chris’s soothing vocals.

Hopefully this will just be forgettable detour rather than a future path, or perhaps the cue for “Soundgarden” to regroup. “Scream” is the musical equivalent of missing your bus on the way to work and having to walk 5 miles in heavy rain. If there is justice in the world, a black hole sun would come and wash away the pain that this album has caused.

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